"Grave in the Style of W.F. Bach" by Fritz Kreisler, Kees Hulsmann, Marian Bolt had its release date on November 4, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Fritz Kreisler, Kees Hulsmann, Marian Bolt's "Kreisler: The Complete Original Works for Violin and Piano" album is number 15 out of 35. Grave in the Style of W.F. Bach is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grave in the Style of W.F. Bach by Fritz Kreisler, Kees Hulsmann, Marian Bolt to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Yo-Yo Ma, Emanuel Ax, Isaac Stern, Jaime Laredo | B♭ Major | 0 | 6B | 134 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Daniel Lozakovich, Stanislav Soloviev | A Major | 0 | 11B | 75 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Major | 1 | 10B | 130 BPM | ||
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
No. 1, Allegro, legato | Ragna Schirmer | C Major | 2 | 8B | 84 BPM |