On July 1, 2016, the song "21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 21 in E Minor" was released by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride. With 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 21 in E Minor being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 24 in Brahms: Violin Concerto in D Major & 21 Hungarian Dances by Johannes Brahms, Joseph Joachim, Baiba Skride, Sakari Oramo, Lauma Skride. Based on our statistics, 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 21 in E Minor's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 21 in E Minor by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | ||
Liebesleid (arr. J. Joachim) | Fritz Kreisler, Joseph Joachim, Rivka Golani, Michele Levin | A Major | 1 | 11B | 128 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
String Quintet No. 3, Op. 97: III. Larghetto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen | A♭ Minor | 1 | 1A | 114 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
Schubert - Symphony in C Major (arr. of Sonata for Piano 4 hands in C Major, Op. 140, D. 812, "Grand Duo"): III. Scherzo: Allegro vivace | Franz Schubert, Joseph Joachim, Budapest Failoni Chamber Orchestra, Michael Halasz | B Minor | 3 | 10A | 93 BPM | ||
Concerto for Violin & Viola with Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, Yuri Bashmet, Neeme Järvi | E Minor | 1 | 9A | 90 BPM | ||
Piano Quartet in E flat, Op. 47: 4. Finale (Vivace) | Robert Schumann, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 141 BPM | ||
Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM |
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