"Laudes de sainte Ursule: XXIV. Benedicamus Domino" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With Laudes de sainte Ursule: XXIV. Benedicamus Domino being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 24 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XXIV. Benedicamus Domino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: XXIV. Benedicamus Domino by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa cum iubilo - Sanctus | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 132 BPM | ||
Ave Generosa | Hildegard von Bingen, Micaela Bottari, Olivia Dowden, Lucy Hole, Alex Meakem, Kate Miksits, Kamala Silvey, Danielle Verguldi, Camille Watson, James Jordan | G Minor | 0 | 6A | 87 BPM | ||
Cantus Officiorum: Antiphona: Rorate caeli | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Minor | 1 | 11A | 108 BPM | ||
Primo Temporare | Lucien Deiss, CSSp | C Major | 0 | 8B | 207 BPM | ||
Regina Caeli | Lucien Deiss, CSSp | G Major | 0 | 9B | 170 BPM | ||
Laeta devote | Anoymous, Ensemble Organum, Marcel Pérès | A♭ Major | 1 | 4B | 89 BPM | ||
Anbetung Dem Kreuz: Crucem Tuam | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Hymn of the Great Entrance | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 77 BPM | ||
Credo, JD12: Credo a 4, JD 12 | John Dunstable, Tonus Peregrinus, Antony Pitts | E♭ Minor | 2 | 2A | 68 BPM |
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