Harumi Miyako made "逢瀬" available on February 21, 1991. The duration of 逢瀬 is about 3 minutes long, at 3:24. Based on our data, "逢瀬" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in しあわせ岬, so we believe that "逢瀬" is a single. Based on our statistics, 逢瀬's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 逢瀬 by Harumi Miyako is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
あの娘のために死ぬんだぜ | 渡 哲也 | F Minor | 4 | 4A | 107 BPM | ||
いつでも夢を | Yukio Hashi, Sayuri Yoshinaga | B Major | 5 | 1B | 108 BPM | ||
花は苦労の風に咲く | 杜このみ | G Major | 6 | 9B | 82 BPM | ||
捨てられて | 長山洋子 | D Minor | 4 | 7A | 106 BPM | ||
釜山港へ帰れ | EunSook Kye | B♭ Minor | 5 | 3A | 133 BPM | ||
イムジン河 | Aiko Moriyama | D♭ Major | 4 | 3B | 92 BPM | ||
北へ | Akira Kobayashi | B♭ Major | 3 | 6B | 101 BPM | ||
釜山港へ帰れ | Jiro Atsumi | E Minor | 6 | 9A | 107 BPM | ||
旅人よ | Yuzo Kayama | D Minor | 3 | 7A | 114 BPM | ||
南国土佐を後にして | Peggy Hayama | G Minor | 2 | 6A | 90 BPM |
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