William Lawes, Fretwork's 'Lawes: Aire, for Lyra Viol, VdGS No. 462' came out on February 15, 2002. The duration of Lawes: Aire, for Lyra Viol, VdGS No. 462 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Lawes: Aire, for Lyra Viol, VdGS No. 462's duration is considered a little bit shorter than the average duration of a typical track. This song is part of William Lawes - Consort Music by William Lawes, Fretwork. The song's track number on the album is #17 out of 42 tracks. In terms of popularity, Lawes: Aire, for Lyra Viol, VdGS No. 462 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lawes: Aire, for Lyra Viol, VdGS No. 462 by William Lawes, Fretwork has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lawes: Aire, for Lyra Viol, VdGS No. 462 being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasias and In Nomines: Fantazia III in 3 Parts, Z. 734 | Henry Purcell, Fretwork | F♯ Minor | 1 | 11A | 115 BPM | ||
Berimbau | Orlando Gough, Fretwork | E Major | 1 | 12B | 174 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): IV. A Merry Meeting | Tobias Hume, Matteo Cicchitti, Musica Elegentia | D♭ Minor | 0 | 12A | 94 BPM | ||
Fantasia for 3 Viols, VdGS 14: No. 12 | Thomas Lupo, Fretwork | F♯ Major | 0 | 2B | 140 BPM | ||
Prelude Feuer | Marthe Perl, Hille Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Solfaing Song à 5 | Thomas Tallis, Fretwork | E♭ Major | 0 | 5B | 111 BPM | ||
Royal Consort Sett No. 4 in D: IV. Aire | William Lawes, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 81 BPM | ||
Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
In nomine a 4 No. 2 | Robert Parsons, Stile Antico, Fretwork | F♯ Minor | 0 | 11A | 114 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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