Giuseppe Verdi, Luciano Pavarotti, Juan Pons, Metropolitan Opera Orchestra, James Levine's 'La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri"' came out on January 1, 1992. The duration of La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" is about 3 minutes long, at 3:00. Based on our data, "La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink, Richard Wagner, Gerard Schwarz, Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #22 out of 38 tracks. La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" by Giuseppe Verdi, Luciano Pavarotti, Juan Pons, Metropolitan Opera Orchestra, James Levine has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il Barbiere di Siviglia (1996 Digital Remaster): Di sì felice innesto (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | A Major | 2 | 11B | 77 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Pioggia | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | G Minor | 1 | 6A | 73 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ma bravi! Ma benone!" (Figaro, Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | ||
Don Pasquale / Act 1: "Bella siccome un angelo" | Gaetano Donizetti, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
Otello / Act 2: "Non ti crucciar" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 49 BPM | ||
Aida / Act 2: Pietà ti prenda del mio dolor - Su! del Nilo sacre lido ... Numi, pietà | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 1 | 7B | 135 BPM | ||
Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo) | Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Minor | 2 | 6A | 109 BPM |
Section: 0.6275005340576172
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