Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine"
Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij
Issé
5:51 November 8, 2019
BPM
77
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" - Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij Information

Acousticness
99%
Danceability
24%
Energy
5%
Instrumentalness
0%
Liveness
11%
Loudness
57%
Speechiness
5%
Valence
12%
Popularity
Loudness
-25.664 dB

Summary

"Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine"" by Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij had its release date on November 8, 2019. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas's "Issé" album is number 13 out of 60. On top of that, France appears to be the country where this track was created. Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" BPM

We consider the tempo marking of Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" by Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Armide, LWV 71, Prologue: Entrée (I) by Jean-Baptiste Lully, Vincent Dumestre, Le Poème HarmoniqueArmide, LWV 71, Prologue: Entrée (I)Jean-Baptiste Lully, Vincent Dumestre, Le Poème HarmoniqueF Major17B139 BPM
Voi Chascoltate by Sigismondo D'India, Musica Sequenza, BURAK, Diana RamirezVoi ChascoltateSigismondo D'India, Musica Sequenza, BURAK, Diana RamirezF♯ Major22B86 BPM
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein by Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei StuttgartMein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig seinJohann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei StuttgartB Major11B91 BPM
Les Éléments, S.153, Acte III Les Éléments, S.153, Acte III "Le Feu", Scène 2: Sortez, tant que la nuit... (Émilie)Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Elodie FonnardF♯ Minor111A99 BPM
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 by Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsConfitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque SolistsA♭ Minor01A108 BPM
Suite in C Minor: II. Andamento by Nicola Matteis, Le ConsortSuite in C Minor: II. AndamentoNicola Matteis, Le ConsortB Major01B84 BPM
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro by Giuseppe Antonio Brescianello, La Serenissima, Adrian ChandlerOuverture for Strings & Continuo in A Major: V. Rondeau - AllegroGiuseppe Antonio Brescianello, La Serenissima, Adrian ChandlerE Major312B200 BPM
La flora: Trombe d'Ausonia by Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. TarrLa flora: Trombe d'AusoniaMarc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. TarrA Major311B123 BPM
Télémaque & Calypso, Act III Scene 7: Les jeux et les plaisirs règnent dans ces retraites (Troupe de Démons transformés en Nymphes, en Jeux et en Plaisirs) by Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesTélémaque & Calypso, Act III Scene 7: Les jeux et les plaisirs règnent dans ces retraites (Troupe de Démons transformés en Nymphes, en Jeux et en Plaisirs)Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de VersaillesF Major37B108 BPM
12 Violin Sonatas, Sonata in E Minor, No. 4: I. Gracieusement by Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin12 Violin Sonatas, Sonata in E Minor, No. 4: I. GracieusementJean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier FortinB♭ Minor33A94 BPM
ISRC
FRZDG1801374
Label
L-M Records/RCA Records