"Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine"" by Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij had its release date on November 8, 2019. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas's "Issé" album is number 13 out of 60. On top of that, France appears to be the country where this track was created. Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Issé: Issé, Acte IV Scène première: Air "Funeste Amour, ô tendresse inhumaine" by Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Judith van Wanroij to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | B Major | 1 | 1B | 91 BPM | ||
Les Éléments, S.153, Acte III "Le Feu", Scène 2: Sortez, tant que la nuit... (Émilie) | Andre Cardinal Destouches, Michel Richard Delalande, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Elodie Fonnard | F♯ Minor | 1 | 11A | 99 BPM | ||
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
Suite in C Minor: II. Andamento | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Télémaque & Calypso, Act III Scene 7: Les jeux et les plaisirs règnent dans ces retraites (Troupe de Démons transformés en Nymphes, en Jeux et en Plaisirs) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Major | 3 | 7B | 108 BPM | ||
12 Violin Sonatas, Sonata in E Minor, No. 4: I. Gracieusement | Jean-Féry Rebel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM |