Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Neil Brough, Le Concert d'Astrée made "Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an"" available on November 7, 2008. The duration of Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Bach: Cantatas, BWV 51, 82 & 199 by Johann Sebastian Bach, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" by Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Neil Brough, Le Concert d'Astrée is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Solo Violin No. 3 in C Major, BWV 1005: III. Largo | Johann Sebastian Bach, Park Kyuhee | F Major | 1 | 7B | 142 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
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