"May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel")" by Hans May, Joseph Schmidt, Felix Günther, Parlophon Orchester was released on 1992. The duration of May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") is about 3 minutes long, at 3:05. Based on our data, "May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Schmidt's "Joseph Schmidt - The Complete EMI Recordings Vol. 2" album is number 8 out of 39. On top of that, Germany appears to be the country where this track was created. May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of May: "Ich singe dir ein Liebeslied" (Lied aus dem Film "Ein Stern fällt vom Himmel") by Hans May, Joseph Schmidt, Felix Günther, Parlophon Orchester to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ohne dich kann ich nicht leben, herrliches Madchen (From "Wien, du Stadt der Lieder") | Hans May, Max Hansen, Paul Graetz, Paul Godwin Jazz-Symphoniker | B♭ Major | 5 | 6B | 124 BPM | ||
Schenkt man sich Rosen in Tirol | Wiener Operettenorchester, Chor | B♭ Major | 5 | 6B | 88 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
Aida: Gloria all' Egitto ad Iside | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 3 | 5B | 112 BPM | ||
6 Lieder, Op. 50: No. 2. Der Jager Abschied | Felix Mendelssohn, Berlin Radio Chorus, male section, Dietrich Knothe | E♭ Major | 1 | 5B | 137 BPM | ||
Das machen nur die Beine von Dolores - Neuaufnahme 1973 | Gerhard Wendland | C Major | 3 | 8B | 124 BPM | ||
Worker's Symphony | Hans May | C Minor | 6 | 5A | 103 BPM | ||
In einem kuhlen Grunde | Friedrich Gluck, Leipzig Radio Chorus, male section, Jörg Peter Weigle | B♭ Major | 1 | 6B | 97 BPM | ||
Ich möchte dich tausendmal küssen (From "Die unsichtbare Front") | Hans May, Luigi Bernauer, Dajos Bela Dance Orchestra | E Minor | 5 | 9A | 117 BPM | ||
Spiel mir eine alte Melodie (Play A Simple Melody) | Rita Paul | F Major | 2 | 7B | 77 BPM |
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