"Come,Thou Long Expected Jesus" by The Scottish Festival Singers was released on October 1, 2012. The duration of Come,Thou Long Expected Jesus is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Come,Thou Long Expected Jesus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Hymn Writers: Charles Wesley". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Come,Thou Long Expected Jesus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come,Thou Long Expected Jesus by The Scottish Festival Singers having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Praise my soul the king of heaven | John Goss, St. Paul's Cathedral Choir, Malcolm Archer | D Major | 2 | 10B | 83 BPM | ||
O come, all ye faithful (Desc. David Willcocks) | Adeste Fideles, Choir of King's College, Cambridge, Henry Websdale, Stephen Cleobury | G Major | 3 | 9B | 82 BPM | ||
Green grow'th the holly | Henry VIII, Paul Hillier, Theatre Of Voices | G Minor | 0 | 6A | 93 BPM | ||
Beautiful Savior | Traditional, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | E Major | 0 | 12B | 137 BPM | ||
O For A Thousand Tongues | The Scottish Festival Singers | G Major | 3 | 9B | 72 BPM | ||
Let All Mortal Flesh | Fernando Ortega | D Minor | 1 | 7A | 119 BPM | ||
Rombi: Adeste fidelis | Philippe Rombi, Rolando Villazón, Orchestre Symphonique Bel Arte | B♭ Major | 2 | 6B | 80 BPM | ||
Coventry Carol | Choir of King's College, Cambridge, Sir David Willcocks | G Major | 1 | 9B | 100 BPM | ||
O Radiant Dawn | James MacMillan, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Man Of Sorrows What A Name | The Scottish Festival Singers | C Major | 2 | 8B | 69 BPM |
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