Bap Kennedy made "Almost Always Wrong" available on 2000. The duration of Almost Always Wrong is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Almost Always Wrong's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bap Kennedy's "Lonely Street" album is number 5 out of 13. Based on our statistics, Almost Always Wrong's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Almost Always Wrong by Bap Kennedy to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It's Not Me It's You | Bap Kennedy | E Major | 6 | 12B | 126 BPM | ||
Through the Morning, Through the Night | Robert Plant, Alison Krauss | D♭ Minor | 3 | 12A | 81 BPM | ||
You Can't Always Get What You Want | Bill Morrissey, Greg Brown | D Major | 1 | 10B | 150 BPM | ||
Everybody Move It | Teddy Thompson | C Major | 5 | 8B | 151 BPM | ||
Angel Dream (No. 2) | Tom Petty and the Heartbreakers | E Major | 2 | 12B | 80 BPM | ||
October Road | James Taylor | E Major | 5 | 12B | 145 BPM | ||
Long Way | Antje Duvekot | A♭ Major | 3 | 4B | 82 BPM | ||
Dead End Street | Blake Mills | F Major | 4 | 7B | 111 BPM | ||
Don't Speak in English | Chip Taylor, Carrie Rodriguez | B♭ Major | 3 | 6B | 79 BPM | ||
Here in California | Dave Alvin | A Major | 4 | 11B | 146 BPM |
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