"Mozart: Fantasia No. 4 in C Minor, K. 475" by Wolfgang Amadeus Mozart, YUNDI was released on April 5, 2024. Mozart: Fantasia No. 4 in C Minor, K. 475 appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, YUNDI's "Mozart: The Sonata Project - Salzburg" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Fantasia No. 4 in C Minor, K. 475 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Fantasia No. 4 in C Minor, K. 475 by Wolfgang Amadeus Mozart, YUNDI to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 25, Op. 57, Hob. XV: 12 No. 2: Piano Trio No. 25, Op. 57, Hob. XV: 12 No. 2: III. Finale | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Frank Peter Zimmermann, Antoine Tamestit, Bavarian Radio Symphony Orchestra, Radosław Szulc | C Minor | 0 | 5A | 112 BPM | ||
Der Stein der Weisen, Act I: Overture | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Etude De Concert, Op. 19, No. 2 in A Major - Duo-Art 5726 | Eduardo Poldini, Peter Phillips, Desider Vecsei | A Major | 1 | 11B | 69 BPM | ||
30 Piano études, Op. 26: No. 7 in D Major, Andante espressivo | Louise Farrenc, Maria Stratigou | D Major | 1 | 10B | 118 BPM | ||
8 Minuets, K. 315a: No. 8 in G Major | Wolfgang Amadeus Mozart, Roberto Prosseda | D Major | 0 | 10B | 78 BPM | ||
Piano Concerto No. 1, in E Flat R 455, S.124 (Arr. Solo Piano by László): II. Quasi Adagio - Welte-Mignon 3334 | Franz Liszt, Sándor László, Peter Phillips | B Major | 2 | 1B | 55 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Piano by Leopold Godowsky) | Johannes Brahms, Carmen Stefanescu | F♯ Major | 0 | 2B | 79 BPM | ||
Carnaval, Op.9: 1. Préambule | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM |
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