John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones made "Suite: Dashing Away with the Smoothing Iron" available on March 17, 2001. The duration of Suite: Dashing Away with the Smoothing Iron is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suite: Dashing Away with the Smoothing Iron's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in English String Miniatures, Vol. 1 by Royal Ballet Sinfonia. Based on our statistics, Suite: Dashing Away with the Smoothing Iron's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite: Dashing Away with the Smoothing Iron by John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty (Suite), Op. 66a, TH. 234: II. Pas d'action: Rose Adagio | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E♭ Major | 3 | 5B | 67 BPM | ||
Carol of the Magi | John Rutter, Tim Gill, The Cambridge Singers, Royal Philharmonic Orchestra, Gabriel Crouch | E♭ Major | 1 | 5B | 120 BPM | ||
Gruber / Arr. Rutter: Stille Nacht, heilige Nacht | Franz Xaver Gruber, Clare College Singers, Clare College Orchestra, Jeremy Blandford, John Rutter | C Major | 1 | 8B | 59 BPM | ||
A Boy Was Born, Op. 3: Theme: A Boy Was Born | Benjamin Britten, Elora Festival Singers, Noel Edison | B♭ Minor | 0 | 3A | 87 BPM | ||
Away in a Manger | William J. Kirkpatrick, Boulanger Trio, Asya Fateyeva | F Major | 1 | 7B | 82 BPM | ||
Walking In The Air (Excerpt "Lifecycle"), Op. 310 | Howard Blake, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 63 BPM | ||
Quand Dieu naquit à Noël | Michel Corrette, Les Musiciens De Saint-Julien, François Lazarevitch, Maîtrise de Radio France, Sofi Jeannin | F♯ Major | 1 | 2B | 91 BPM | ||
Quelle est cette odeur agreable (arr. David Wilcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | E Major | 1 | 12B | 77 BPM | ||
Dance of the Sugar-Plum Fairy from "Nutcracker" - Arr. Stephen McNeffs | Pyotr Ilyich Tchaikovsky, Canadian Brass, Elmer Iseler Singers, Lydia Adams, Aaron Davis, David Gray | E Minor | 0 | 9A | 128 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Mira Wang, Rundfunk-Sinfonieorchester Saarbrücken, Thierry Fischer | E Minor | 1 | 9A | 77 BPM |
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