"Symphony No. 2 in D Major: V. Variationen und Fuge über ein hebräisches Volkslied" by Viktor Ullmann, Tschechische Philharmonie, Gerd Albrecht was released on January 1, 2016. Symphony No. 2 in D Major: V. Variationen und Fuge über ein hebräisches Volkslied is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Schulhuff, Haas, Klein & Ullmann: Orchestral Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Symphony No. 2 in D Major: V. Variationen und Fuge über ein hebräisches Volkslied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in D Major: V. Variationen und Fuge über ein hebräisches Volkslied by Viktor Ullmann, Tschechische Philharmonie, Gerd Albrecht having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 "Land of the Free": I. Threads of Resilience | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 2, Danse générale | Maurice Ravel, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Let Us Endeavor SHZ 142 | Laestadian Lutheran Church, Laurel Loukusa, Ashley Niemela | C Minor | 0 | 5A | 66 BPM |
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