Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma made "Cello Concerto No.5 in F Minor, L. 40: II. Allegro" available on February 20, 2023. The duration of Cello Concerto No.5 in F Minor, L. 40: II. Allegro is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Cello Concerto No.5 in F Minor, L. 40: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma's "Leonardo Leo (1694-1744) Six Cello Concertos" album is number 7 out of 25. On top of that, Canada appears to be the country where this track was created. Cello Concerto No.5 in F Minor, L. 40: II. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cello Concerto No.5 in F Minor, L. 40: II. Allegro by Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto per violino in si bemolle maggiore in B-Flat Major: III. Allegro | Giovanni Battista Pergolesi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Concerto grosso in G minor, Op.8, No.6 "Christmas Concerto" - Rev. Abbado: 2. Largo - Adagio | Giuseppe Torelli, Mariana Sirbu, Antonio Perez, I Musici | B Major | 7 | 1B | 100 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9 No. 11: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | F Major | 3 | 7B | 101 BPM | ||
Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: II. Allegro | Johann Friedrich Fasch, Peter Whelan, Ensemble Marsyas | E Minor | 1 | 9A | 102 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
The Queen's Dolour, Z. 670 (Arr. for Ensemble by Le Consort) | Henry Purcell, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Les Nations - Deuxième Ordre: 9. Bourée & Double | François Couperin, Jacobean Ensemble, Thurston Dart | C Minor | 2 | 5A | 60 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM |
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