Nathan Lane, Madeleine Doherty, Jennifer Smith, Kathy Fitzgerald, Matthew Broderick, Brad Oscar, Cady Huffman, Gary Beach, Roger Bart, The Producers Ensemble made "Along Came Bialy" available on March 26, 2001. Since Along Came Bialy is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "The Producers (Original Broadway Cast Recording)". In this album, this song's track order is #10. Based on our statistics, Along Came Bialy's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Along Came Bialy by Nathan Lane, Madeleine Doherty, Jennifer Smith, Kathy Fitzgerald, Matthew Broderick, Brad Oscar, Cady Huffman, Gary Beach, Roger Bart, The Producers Ensemble having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montage, Part 4: Gimme the Ball | A Chorus Line Ensemble (2006) | E Major | 6 | 12B | 145 BPM | ||
It's Gonna Be Good | Alice Ripley, Aaron Tveit, J. Robert Spencer, Louis Hobson, Jennifer Damiano, Adam Chanler-Berat | D♭ Minor | 5 | 12A | 157 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | ||
Serse, HWV 40, Act 1: No. 5 Aria: "Va godendo vezzoso e bello" | George Frideric Handel, Hanover Band, Nicholas McGegan | A Major | 1 | 11B | 34 BPM | ||
That Dirty Old Man | Ruth Kobart | E Minor | 2 | 9A | 104 BPM | ||
La Resurrezione (1708), HWV 47 - Original Version / Parte Seconda: Aria: "Per me già di morire" (Maddalena) | George Frideric Handel, Jennifer Smith, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 1 | 3B | 111 BPM | ||
Rameau: Les Boréades, Act 5: "Je rends pour ce héros ma tendresse éclatante" (Apollon, Borée, Abaris, Alphise) | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner, Jean-Philippe Lafont, Jennifer Smith, Philip Langridge, Stephen Varcoe | D♭ Major | 2 | 3B | 85 BPM | ||
Under the Sea (Reprise) | Sea Creatures - The Little Mermaid Original Broadway Cast, Tituss Burgess as Sebastian | E♭ Major | 4 | 5B | 100 BPM | ||
It’s A Scandal! It’s A Outrage! | Will Brill | D Major | 3 | 10B | 150 BPM | ||
Didon (Cantata for solo voice and orchestra): Récitatif: "Mais tandis qu'occupé d'une si belle chaîne" | François Collin de Blamont, Jennifer Smith, Les Musiciens du Louvre, Marc Minkowski | G Major | 7 | 9B | 107 BPM |
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