"Considering Matthew Shepard: Passion, 17. The Innocence" by Craig Hella Johnson, Conspirare was released on September 9, 2016. The duration of Considering Matthew Shepard: Passion, 17. The Innocence is about 3 minutes long, at 3:17. Based on our data, "Considering Matthew Shepard: Passion, 17. The Innocence" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 17 out of 33. On top of that, United States appears to be the country where this track was created. Based on our statistics, Considering Matthew Shepard: Passion, 17. The Innocence's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard: Passion, 17. The Innocence by Craig Hella Johnson, Conspirare to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All I've Ever Known - Radio Edit | Eva Noblezada, Reeve Carney, Anaïs Mitchell, Hadestown Original Broadway Company | D♭ Major | 3 | 3B | 120 BPM | ||
The Lovers, Op. 43: VI. Sometimes | Samuel Barber, Robert Kyr, Chamber Orchestra, Craig Hella Johnson, David Farwig, Conspirare | B Major | 1 | 1B | 70 BPM | ||
Tuttarana (Version for SATB Choir) | Reena Esmail, Notus, Dominick DiOrio | D Major | 1 | 10B | 85 BPM | ||
Yo le Canto todo el Dia | David Brunner, Sacramento Master Singers, Clifford Shockney, Heidi van Regenmorter, Ralph E. Hughes | E Minor | 4 | 9A | 93 BPM | ||
i carry your heart with me | David Dickau, Trinity High School A Cappella Choir, Studio pianist, Michael Dean | E Major | 1 | 12B | 82 BPM | ||
Voice on the Wind - SATB | Sarah Quartel, The Oxford Choir | F♯ Major | 2 | 2B | 107 BPM | ||
Spirit Of Life | All Souls Choir | D Major | 1 | 10B | 137 BPM | ||
Considering Matthew Shepard: Epilogue, 30. Meet Me Here | Craig Hella Johnson, Conspirare | C Major | 0 | 8B | 81 BPM | ||
That Lucky Old Sun (Just Rolls Around Heaven All Day) | Crossroads | E♭ Major | 1 | 5B | 86 BPM | ||
Through Love to Light | Vocal Arts Nashville, Matthew Phelps | E Major | 2 | 12B | 78 BPM |
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