- BPM
- 80
- Key
- B♭ Major
- Camelot
- 6B
Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror" - Fred Steiner Information
- Acousticness
- 95%
- Danceability
- 8%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 13%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 9%
- Loudness
- -21.983 dB
Summary
"Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror"" by Fred Steiner was released on January 1, 1986. With this song being about 5 minutes long, at 4:39, "Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror"" by Fred Steiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Star Trek, Vol. 2 (Original Television Scores)". In this album, this song's track order is #5. Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror" BPM
With Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror" by Fred Steiner having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
Mirror, Mirror: Mirror, Mirror / Black Ship Theme / The Agonizer / Meet Marlena - From "Mirror, Mirror" Key
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Star Trek: The Original Series - Suite from What are Little Girls Made Of | Fred Steiner | D Major | 0 | 10B | 78 BPM | |
 | The Wizard of Oz - Opening Title | Harold Arlen | A Major | 4 | 11B | 119 BPM | |
 | Yuri and the Daffodils (Lara's Theme) | Maurice Jarre | G Minor | 2 | 6A | 87 BPM | |
 | Crash-Whale Fugue | Leonard Rosenman | G Major | 2 | 9B | 81 BPM | |
 | The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | |
 | Beware the Gray Ghost - From The Episode "Beware The Gray Ghost" | Carl Swander Johnson | B♭ Minor | 5 | 3A | 99 BPM | |
 | Memories | John Ottman | A Minor | 2 | 8A | 87 BPM | |
 | Bob Newhart Show | Voidoid | G Major | 3 | 9B | 115 BPM | |
 | The Battle of Britain Suite: I. Luftwaffe March (Aces High) | Ron Goodwin, Rumon Gamba, BBC Philharmonic | B♭ Major | 5 | 6B | 119 BPM | |
 | Resolution | George Fenton | F Major | 0 | 7B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6153995990753174
End: 0.6210393905639648