Johann Jakob Froberger, Władysław Kłosiewicz's 'Suite No. 16 in G Major: I. Allemande' came out on May 26, 2010. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "pour passer la melancholie". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Poland. In terms of popularity, Suite No. 16 in G Major: I. Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 16 in G Major: I. Allemande by Johann Jakob Froberger, Władysław Kłosiewicz having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Suite in A Major, FbWV 608: II. Gigue | Johann Jakob Froberger, Gilbert Rowland | E♭ Major | 3 | 5B | 123 BPM | ||
Ayres for the Violin, Book 1 (Excerpts): Adagio | Nicola Matteis, Veronika Skuplik, Andreas Arend | A♭ Minor | 2 | 1A | 78 BPM | ||
Sonata for Flute and Basso Continuo in C Major, RV 48: III. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian | A♭ Minor | 0 | 1A | 114 BPM | ||
Mystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Vivace | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | A Major | 4 | 11B | 76 BPM |
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