Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh's 'New Year Cantata: Recitative: Wie schmecken' came out on January 1, 2015. With New Year Cantata: Recitative: Wie schmecken being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hungary. In terms of popularity, New Year Cantata: Recitative: Wie schmecken is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With New Year Cantata: Recitative: Wie schmecken by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 120 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Non troppo allegro | Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf | F♯ Major | 0 | 2B | 145 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |
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