Felix Mendelssohn, Christian Li, Xuefei Yang's 'Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar)' came out on June 2, 2023. The duration of Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Mendelssohn: Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Venetian Gondola Song, Op. 62 No. 5 (Arr. Parkin for Violin and Guitar) by Felix Mendelssohn, Christian Li, Xuefei Yang to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 3. Rondeau. Allegretto con brio, scherzando | Niccolò Paganini, Mengla Huang, Xuefei Yang | A Major | 3 | 11B | 60 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Spohr: Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13 - II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 92 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Symphony of a Thousand Piano Variation (After Symphony No. 8, Arr. for Piano by Tim Allhoff) | Gustav Mahler, Louis Philippson | E♭ Major | 0 | 5B | 114 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM |
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