Steve Reich, Ensemble Links, Rémi Durupt's 'Music for 18 Musicians (1976): Section VIII' came out on September 1, 2020. The duration of Music for 18 Musicians (1976): Section VIII is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Music for 18 Musicians (1976): Section VIII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Steve Reich: Music for 18 Musicians". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Austria. In terms of popularity, Music for 18 Musicians (1976): Section VIII is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Music for 18 Musicians (1976): Section VIII by Steve Reich, Ensemble Links, Rémi Durupt having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
G Song | Terry Riley | G Minor | 3 | 6A | 74 BPM | ||
Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
The Sinking of the Titanic: 10. Last Hymn | Gavin Bryars, Gavin Bryars Ensemble | D♭ Major | 0 | 3B | 70 BPM | ||
Aliens with Extraordinary Abilities: Triptan | David Skidmore, Third Coast Percussion | F Minor | 0 | 4A | 69 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Blue Calx (arr. C. Burhans) | Alarm Will Sound | B Minor | 2 | 10A | 135 BPM | ||
The Farthest Place | John Luther Adams, Robin Lorentz, Marty Walker, Barry Newton, Amy Knoles, Nathaniel Reichman, Bryan Pezzone | D Minor | 2 | 7A | 153 BPM | ||
Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Cloud of Light | Masayoshi Fujita | D Major | 0 | 10B | 110 BPM |
Section: 0.5275378227233887
End: 0.5320231914520264