La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live]
Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen
Puccini: La Bohème (Arr. M. van Bellen & M. Halvorsen for Violin & Piano) [Live]
2:20 November 18, 2022
BPM
127
Key
C Minor
Camelot
5A

Embed

Share Link

La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live] - Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen Information

Acousticness
93%
Danceability
50%
Energy
44%
Instrumentalness
88%
Liveness
10%
Loudness
78%
Speechiness
3%
Valence
39%
Popularity
Loudness
-12.972 dB

Summary

Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen's 'La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live]' came out on November 18, 2022. The duration of La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live] is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème (Arr. M. van Bellen & M. Halvorsen for Violin & Piano) [Live]". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live] BPM

With La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live] by Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

La Bohème, SC 67, Act 2 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 16, Caro! [Live] Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gianni Schicchi (O mio bambino caro) by Katia RicciarelliGianni Schicchi (O mio bambino caro)Katia RicciarelliA♭ Major24B79 BPM
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti"Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero RaimondiC Major38B125 BPM
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version by Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanDonde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered VersionGiacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanD♭ Major13B93 BPM
Cavalleria rusticana: Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor"Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniG Major29B68 BPM
Carmen (1997 - Remaster), Act I: Avec la garde montante by Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraCarmen (1997 - Remaster), Act I: Avec la garde montanteGeorges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraD Minor17A122 BPM
Contes d'Hoffmann: Les oiseaux dans la charnille by Jacques Offenbach, Olga Peretyatko, Miguel Gomez-MartinezContes d'Hoffmann: Les oiseaux dans la charnilleJacques Offenbach, Olga Peretyatko, Miguel Gomez-MartinezB♭ Major26B96 BPM
Il barbiere di Siviglia / Act 1: No.2 Cavatina: Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoC Major38B113 BPM
歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より) by スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグ歌劇「ホフマン物語」/舟歌 (『ライフ・イズ・ビューティフル』より)スーザン・マカロック, アンヌ=マリー・オーウェンズ, チェコ交響楽団, ジュリアン・ビッグD Major110B80 BPM
Die Walküre / Dritter Aufzug: Die Walküre / Dritter Aufzug: "Hojotoho! Heiaha!"Richard Wagner, Vera Schlosser, Berit Lindholm, Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg SoltiG Major39B143 BPM
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond LeppardD Major110B96 BPM
ISRC
DE1FJ2203016
Label
L-M Records/RCA Records

Section: 0.7704684734344482

End: 0.7752358913421631