Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann made "Keyboard Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto" available on 1957. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 3 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Keyboard Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Keyboard Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in B Minor, BWV 232: Gloria. Laudamus te (Soprano II) | Johann Sebastian Bach, Rachel Nicholls, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 129 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso | Frédéric Chopin, Glenn Gould | F♯ Major | 2 | 2B | 84 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 529 (L. 327): Allegro | Domenico Scarlatti, Ivo Pogorelich | B♭ Major | 2 | 6B | 178 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 3. Allegro | Johann Sebastian Bach, Richard Adeney, José-Luis Garcia, English Chamber Orchestra, Raymond Leppard | B♭ Minor | 2 | 3A | 131 BPM | ||
Concerto in D Minor for 2 Oboes, Strings & Continuo, RV 535 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, Celia Nicklin, Neil Black, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 166 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |
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