"Psaume 137, (1-6): ’Al nàhärót bavél" by Salomone Rossi, Jordi Savall was released on January 26, 2018. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Venezia Millenaria by Jordi Savall. The song's track number on the album is #7 out of 37 tracks. Psaume 137, (1-6): ’Al nàhärót bavél is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Psaume 137, (1-6): ’Al nàhärót bavél by Salomone Rossi, Jordi Savall has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Psaume 137, (1-6): ’Al nàhärót bavél being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Tra gli ardori | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 68 BPM | ||
Suite in E Minor, BWV 996: IV. Sarabande | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Affetti musicali, Op. 1: No. 23, La Boldiera | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Massimo Lonardi | D Minor | 1 | 7A | 105 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Consommo la vita mia | Johannes Prioris, The Gesualdo Six, Owain Park | B♭ Major | 0 | 6B | 68 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 1 | 11B | 52 BPM | ||
Gagliarda a 5 e a 3 si placet, detta Narciso | Salomone Rossi, Profeti Della Quinta, Elam Rotem | A♭ Minor | 1 | 1A | 132 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM |
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