"Voices of Light: V. Pater Noster - Voice" by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio was released on October 24, 1995. Since Voices of Light: V. Pater Noster - Voice is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Voices of Light by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic, Steven Mercurio. The song's track number on the album is #5 out of 15 tracks. In terms of popularity, Voices of Light: V. Pater Noster - Voice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Voices of Light: V. Pater Noster - Voice by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Voices of Light: V. Pater Noster - Voice being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prophecies | Philip Glass | D Minor | 0 | 7A | 70 BPM | ||
We Were Still Pretty Much on the Cutting Edge of Digital Recording | Not Applicable,, Richard Einhorn | G Major | 0 | 9B | 113 BPM | ||
Vanya's Orchestra | Jeff Russo | F Minor | 2 | 4A | 115 BPM | ||
Clubbed to Death | Rob Dougan, Maxence Cyrin | G Minor | 2 | 6A | 106 BPM | ||
The Bell Song - From “Florence Foster Jenkins” Soundtrack | Aida Garifullina, London Metropolitan Orchestra, Terry Davies | B♭ Major | 2 | 6B | 81 BPM | ||
All-night Vigil, Op. 37, "Vespers": O Joyful Light | Sergei Rachmaninoff, Eyjólfur Eyjólfsson, Netherlands Radio Choir, Kaspars Putniņš | E♭ Major | 0 | 5B | 83 BPM | ||
Too Late | Dario Marianelli | F Minor | 2 | 4A | 93 BPM | ||
Swan Lake, Op. 20, TH.12 / Act 4: No. 25 Entr'acte (Moderato) | Pyotr Ilyich Tchaikovsky, Netherlands Radio Philharmonic Orchestra, Anatole Fistoulari | A Minor | 0 | 8A | 71 BPM | ||
Háry János Suite: Prelude; The Fairy Tale Begins | Zoltán Kodály, Netherlands Radio Philharmonic Orchestra, Antal Doráti | A♭ Major | 1 | 4B | 69 BPM | ||
Snow | Abel Korzeniowski | G Minor | 1 | 6A | 57 BPM |
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