George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: II. Allegro" available on January 1, 2000. The duration of Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: II. Allegro is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 7 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: II. Allegro is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: II. Allegro by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Serenade No. 9 KV320 in DMajor "Posthorn": Menuetto | Academy of St. Martin in the Fields, Iona Brown | A Major | 0 | 11B | 137 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM | ||
Stölzel: Oboe Concerto in D Major, HauH 5.3: III. Allegro (Arr. for Trumpet) | Gottfried Heinrich Stölzel, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 123 BPM | ||
Mozart, L: Toy Symphony: II. Menuetto (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 121 BPM |
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