Arturo Márquez, Orquesta Sinfónica Juvenil del Estado de Veracruz (OSJEV) made "Las cuatro estaciones.San Luis Potosí" available on January 15, 2002. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Sinfonía Vapor". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Mexico. In terms of popularity, Las cuatro estaciones.San Luis Potosí is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Las cuatro estaciones.San Luis Potosí by Arturo Márquez, Orquesta Sinfónica Juvenil del Estado de Veracruz (OSJEV) having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Cuadros de una exposición para orquesta: Paseo I | Orquesta Filarmónica de Slavonia, Alberto Lizzio | F Major | 1 | 7B | 79 BPM | ||
Primavera portena | Astor Piazzolla, Gidon Kremer, Kremerata Baltica | G Minor | 2 | 6A | 147 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | G Minor | 3 | 6A | 139 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Histoire du Tango: Bordel 1900 | Astor Piazzolla, Augustin Hadelich, Pablo Sainz Villegas | A Major | 3 | 11B | 162 BPM | ||
Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM |
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