On August 2, 2019, the song "Deva Ho Deva Ganpati Deva" was released by Ritesh Mishra. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Deva Ho Deva Ganpati Deva - Single and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Deva Ho Deva Ganpati Deva is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Deva Ho Deva Ganpati Deva by Ritesh Mishra is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shri Ram Jai Ram Jai Jai Ram Ram Dhun | Seema Mishra | F♯ Major | 8 | 2B | 153 BPM | ||
Wafa Na Raas Aayee Tujhe O Harjaee | Nitin Mukesh | D♭ Major | 7 | 3B | 111 BPM | ||
Ghungroo Toot Gaye | Pankaj Udhas | B Major | 5 | 1B | 116 BPM | ||
Tara Vina Shyam | Atul Purohit | F♯ Major | 3 | 2B | 132 BPM | ||
O MAJHI RE APNA KINARA | Kishore Kumar | F Major | 4 | 7B | 120 BPM | ||
Ram Aayenge (feat. Nandika Chhanga) | Nandlal Chhanga, Nandika Chhanga | G Major | 5 | 9B | 100 BPM | ||
Har Ek Baat | Pratibha Baghel | A♭ Major | 4 | 4B | 113 BPM | ||
Mahadev Seene Mein | Akki Kalyan | D♭ Minor | 10 | 12A | 115 BPM | ||
Tu Kahin Bhi Rahe Sar Par Tere Ilzaam | Ghulam Ali | B♭ Minor | 4 | 3A | 78 BPM | ||
Dinanath Meri Baat Chani Koni Tere Sath | Sanju Sharma | A Major | 8 | 11B | 78 BPM |
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