Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos made "Symphony No. 1 in C Major, WD 33: III. Allegro vivace" available on April 1, 1990. Symphony No. 1 in C Major, WD 33: III. Allegro vivace is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 13 out of 14 in Bizet: Carmen Suite, Symphony No. 1 in C Major & L’arlésienne Suite No. 1 by Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphony No. 1 in C Major, WD 33: III. Allegro vivace's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony No. 1 in C Major, WD 33: III. Allegro vivace by Georges Bizet, Cincinnati Symphony Orchestra, Jesús López-Cobos is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Carmen, Act I: No.7 bis Récit : Reste-là maintenant (Don José/Micaëla) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 68 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
Section: 0.7214713096618652
End: 0.7258596420288086