"Blue, Act I Scene 4: Let Me Go. No, My Son, I Will Never Let You Go" by Jeanine Tesori, Aaron Crouch, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. The duration of Blue, Act I Scene 4: Let Me Go. No, My Son, I Will Never Let You Go is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Blue, Act I Scene 4: Let Me Go. No, My Son, I Will Never Let You Go's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 40 out of 72. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Blue, Act I Scene 4: Let Me Go. No, My Son, I Will Never Let You Go is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act I Scene 4: Let Me Go. No, My Son, I Will Never Let You Go by Jeanine Tesori, Aaron Crouch, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Loss | Jeanine Tesori | F Major | 0 | 7B | 60 BPM | ||
Viola's Theme | Lincoln Center Theater, Jeanine Tesori | D Minor | 2 | 7A | 167 BPM | ||
I Hate the Bus | Caissie Levy, Jeanine Tesori, Samantha Williams, Tony Kushner | C Major | 4 | 8B | 111 BPM | ||
Morning Glow | Matthew James Thomas, The Players | D♭ Major | 3 | 3B | 81 BPM | ||
Little Reward | Arica Jackson, Harper Miles, Jeanine Tesori, Nasia Thomas, Nya, Sharon D Clarke, Tony Kushner | G Major | 5 | 9B | 141 BPM | ||
Give Way | Lindsay Mendez, 'Dogfight' Original Cast Ensemble | A♭ Major | 2 | 4B | 122 BPM | ||
Extraordinary | Matthew James Thomas | D Minor | 6 | 7A | 146 BPM | ||
The Miller's Son (Act Two) | Leighann Larkin | F♯ Minor | 3 | 11A | 117 BPM | ||
Automatic Rainy Day | Bonnie Milligan, Taylor Iman Jones | G Major | 8 | 9B | 134 BPM | ||
I Love the Way | Kate Reinders, John Cariani, Wayne Kirkpatrick, Karey Kirkpatrick | G Major | 3 | 9B | 63 BPM |
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