Max Reger, Marc-André Hamelin's '5 Humoresques, Op. 20: No. 4, Prestissimo assai' came out on January 1, 1999. The duration of 5 Humoresques, Op. 20: No. 4, Prestissimo assai is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 5 Humoresques, Op. 20: No. 4, Prestissimo assai's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. The popularity of 5 Humoresques, Op. 20: No. 4, Prestissimo assai is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Humoresques, Op. 20: No. 4, Prestissimo assai by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 | Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter | G Major | 1 | 9B | 129 BPM | ||
Gli uccelli (The Birds), P. 154: I. Preludio: Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 74 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
3 Sechsstimmige Chöre, Op. 39: No. 3, Frühlingsblick | Max Reger, Bundesjugendchor, Anne Kohler | A Major | 2 | 11B | 112 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM |
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