Franz Schubert, Mischa Maisky, Daria Hovora's '6 Moments musicaux, Op. 94, D. 780: Movement Musical in A Minor (No. 3) - Allegro moderato' came out on January 1, 1994. The duration of 6 Moments musicaux, Op. 94, D. 780: Movement Musical in A Minor (No. 3) - Allegro moderato is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 6 Moments musicaux, Op. 94, D. 780: Movement Musical in A Minor (No. 3) - Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 15 in Cellissimo by Mischa Maisky, Daria Hovora. The popularity of 6 Moments musicaux, Op. 94, D. 780: Movement Musical in A Minor (No. 3) - Allegro moderato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Moments musicaux, Op. 94, D. 780: Movement Musical in A Minor (No. 3) - Allegro moderato by Franz Schubert, Mischa Maisky, Daria Hovora is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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