Stephen McNeff, Welsh National Youth Opera, Only Boys Aloud, Welsh National Opera Orchestra, Steffan Lloyd Owen, Laurence Kilsby, Meinir Wyn Roberts, Paul Carey Jones, Alys Mererid Roberts made "2117/Hedd Wyn, Act II: Clic a chlac a trac y trên" available on August 5, 2022. Since 2117/Hedd Wyn, Act II: Clic a chlac a trac y trên is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Stephen McNeff: 2117/Hedd Wyn". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, 2117/Hedd Wyn, Act II: Clic a chlac a trac y trên is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 2117/Hedd Wyn, Act II: Clic a chlac a trac y trên by Stephen McNeff, Welsh National Youth Opera, Only Boys Aloud, Welsh National Opera Orchestra, Steffan Lloyd Owen, Laurence Kilsby, Meinir Wyn Roberts, Paul Carey Jones, Alys Mererid Roberts having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2, Op. 11: I. Kevään tulo. Allegro molto e cantabile | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | F♯ Minor | 1 | 11A | 84 BPM | ||
Wedding in the Carpathians (1938): Allegro vivo - Moderato - Allegretto | Paul Constantinescu, Oliver Triendl, Norddeutsche Philharmonie, Marcus Bosch | F Major | 0 | 7B | 108 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: VII. Fugue. Allegro molto - Animato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): V. Second Dance - The Dance of the Trees | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Prelude of the Tempest | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Ecuus Ferus I | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D♭ Minor | 0 | 12A | 85 BPM | ||
The Tale of Jemima Puddle-Duck: IV. Mrs Rebeccah Puddle-Duck hurried up | Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton | E♭ Major | 0 | 5B | 73 BPM |
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