"Calenda maia" by Raimbaut de Vaqueiras, Obsidienne, Emmanuel Bonnardot had its release date on April 26, 2024. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Calenda maia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Trouvères et Troubadours : Aux origines de la chanson". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Calenda maia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Calenda maia by Raimbaut de Vaqueiras, Obsidienne, Emmanuel Bonnardot having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
La Gamba | Vincenzo Ruffo, Folger Consort | F Major | 0 | 7B | 90 BPM | ||
Si abra en este baldres | Juan del Encina, Accentus Ensemble, Thomas Wimmer | F Major | 3 | 7B | 83 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM | ||
Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
John Come Kiss Me Now | Ensemble Galilei | D Major | 3 | 10B | 166 BPM | ||
De Navarez : Mille regretz | Heringman | G Minor | 0 | 6A | 161 BPM | ||
Kalenda Maya | Raimbaut de Vaqueiras, Olam Ein Sof | G Major | 5 | 9B | 174 BPM | ||
Au renouviau | Anonyme, Les musiciens de Provence, Maurice Guis | D Major | 3 | 10B | 152 BPM |