Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022
Wolfgang Amadeus Mozart, Wilhelm Furtwängler, Wiener Philharmoniker, Elisabeth Schwarzkopf
Mozart: Don Giovanni by Wilhelm Furtwängler
2:55 January 8, 2022
BPM
85
Key
B♭ Major
Camelot
6B

Embed

Share Link

Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 - Wolfgang Amadeus Mozart, Wilhelm Furtwängler, Wiener Philharmoniker, Elisabeth Schwarzkopf Information

Acousticness
99%
Danceability
18%
Energy
33%
Instrumentalness
1%
Liveness
71%
Loudness
71%
Speechiness
7%
Valence
10%
Popularity
Loudness
-17.173 dB

Summary

"Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022" by Wolfgang Amadeus Mozart, Wilhelm Furtwängler, Wiener Philharmoniker, Elisabeth Schwarzkopf was released on January 8, 2022. The duration of Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart: Don Giovanni by Wilhelm Furtwängler" album is number 6 out of 58. On top of that, Poland appears to be the country where this track was created. Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 BPM

We consider the tempo marking of Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 by Wolfgang Amadeus Mozart, Wilhelm Furtwängler, Wiener Philharmoniker, Elisabeth Schwarzkopf to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Protegga il giusto cielo - Don Giovanni, Atto Primo, Quarta Scena - Live 1954, Remastered 2022 Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851Daniel BarenboimD Minor17A129 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) by Lang LangMinuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114)Lang LangG Major19B119 BPM
Nocturne No.6 In G Minor, Op.15 No.3 by Frédéric Chopin, Maurizio PolliniNocturne No.6 In G Minor, Op.15 No.3Frédéric Chopin, Maurizio PolliniD Minor07A105 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingViolin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante)Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingE♭ Major05B103 BPM
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De HaanDer Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla!Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De HaanE♭ Major25B77 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga by Johann Sebastian Bach, Lang LangGoldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di GigaJohann Sebastian Bach, Lang LangG Major19B71 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
ISRC
PLH492189317
Label
L-M Records/RCA Records

Section: 0.8162879943847656

End: 0.8208117485046387