Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin's 'Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "In questa forma dunque"' came out on January 1, 2012. With Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "In questa forma dunque" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 8 out of 53. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "In questa forma dunque" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "In questa forma dunque" by Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527 / Act 1: "Ah! chi mi dice mai" - "Udisti? qualche bella" | Wolfgang Amadeus Mozart, Lisa della Casa, Cesare Siepi, Fernando Corena, Wiener Philharmoniker, Josef Krips | E♭ Major | 1 | 5B | 137 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Du feines Täubchen, nur herein" | Wolfgang Amadeus Mozart, Kurt Azesberger, Dorothea Röschmann, Hanno Müller-Brachmann, Mahler Chamber Orchestra, Claudio Abbado | G Major | 1 | 9B | 82 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
Idomeneo, re di Creta, K.366 / Act 1: "Quando avran fine omai" - "Padre, germani, addio!" | Wolfgang Amadeus Mozart, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, David Aronson | G Minor | 1 | 6A | 85 BPM | ||
Die Zauberflöte, K. 620, Act I: Introduction. "Zu Hilfe, zu Hilfe! sonst bin ich verloren" (Tamino, Die drei Damen) | Wolfgang Amadeus Mozart, Orchestre Paul Kuentz, Elisabeth Vidal, Klaus Hager, Paul Kuentz | E♭ Major | 3 | 5B | 70 BPM | ||
Don Giovanni, K.527, Act II, Scena prima: E via, buffone (Don Giovanni/Leporello) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | G Major | 3 | 9B | 104 BPM | ||
Die Zauberflöte / Act 2: "Soll ich dich, Teurer, nicht mehr sehn?" | Wolfgang Amadeus Mozart, Ruth Ziesak, Kurt Moll, Uwe Heilmann, Michael Kraus, Andreas Schmidt, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 1 | 6B | 107 BPM | ||
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail | Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc Minkowski | D Major | 1 | 10B | 76 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" - Live In London / 1996 | Wolfgang Amadeus Mozart, Renée Fleming, Michele Pertusi, Bryn Terfel, Mario Luperi, London Philharmonic Orchestra, Sir Georg Solti | F Major | 2 | 7B | 82 BPM |
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