"Inviolata, integra a 7" by Adrian Willaert, Singer Pur was released on March 5, 2013. Since Inviolata, integra a 7 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Willaert: Musica Nova - The Motets by Adrian Willaert, Singer Pur. The song's track number on the album is #5 out of 27 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Inviolata, integra a 7 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Inviolata, integra a 7 by Adrian Willaert, Singer Pur has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Inviolata, integra a 7 being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Verbum bonum et suave | Adrian Willaert, Cinquecento | C Major | 3 | 8B | 105 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Messa della Madonna: Kyrye della Madonna IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
Venezianische Mehrchörigkeit, Venetian Polychoral Music: Ahi Senza Te | Chamber Choir Of Europe, Johann Grabbe, Anne-Kathrin Herzog, Philip Niederberger, Daniel Sans, Heike Heilmann, Hans Nielsen, Jens Fischesser, Alessandro Striggio, Adrian Willaert, Felix Fabian, Christian Specht, Matthias Heubusch, Daniel Schreiber, Franz Vitzthum, Wilhelm Schwinghammer, Claudio Merulo, Almut Stümke, Gudrun Köllner, Nils Giebelhausen, Giovanni Gabrieli, Alena Leja, Makarie Matt, Manfred Bittner, Joachim Rösler, Marcus Stäbler, Reinhard Geller, Birgit Meyer, Florian Schmitt, Andrea Gabrieli, Christof Fischesser, Beate Feuerstein- Weber, Jochen Henrik Patscheke, Marietta Fischesser, Mogens Pedersøn, Arno Deparade, Gabriele Wunderer, Anja Bittner, Nicol Matt | D♭ Major | 1 | 3B | 138 BPM | ||
Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Missa pro defunctis: VI. Agnus Dei | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
Collectio: Veneranda nobis | Guillaume de Machaut, Dominique Vellard | D Minor | 1 | 7A | 99 BPM |
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