"Concert: IV. Tranquillo" by Eric Schmidt, Geneva Brass Quintet, Vincent Thévenaz was released on January 4, 2013. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Geneva Brass Quintet's "GBQ & Friends" album is number 14 out of 18. Concert: IV. Tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concert: IV. Tranquillo by Eric Schmidt, Geneva Brass Quintet, Vincent Thévenaz to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM | ||
Kapitel 73.2 & Kapitel 74.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 2 | 11B | 50 BPM | ||
Kapitel 1.3 & Kapitel 2.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 119 BPM | ||
Mass No. 2 in D Minor, "Messe Solennelle": Credo: Et resurrexit | Luigi Cherubini, Monika Wiebe, Helena Jungwirth, Rodrigo Orrego, Wolf Matthias Friedrich, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | D Major | 2 | 10B | 66 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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