State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov made "The Nutcracker, Op. 71a: II. Danses caractéristiques.Marche" available on January 22, 2014. The duration of The Nutcracker, Op. 71a: II. Danses caractéristiques.Marche is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. The Nutcracker, Op. 71a: II. Danses caractéristiques.Marche's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Tchaikovsky: The Greatest Hits". In this album, this song's track order is #9. The Nutcracker, Op. 71a: II. Danses caractéristiques.Marche is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Nutcracker, Op. 71a: II. Danses caractéristiques.Marche by State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
IV Allegro non troppo | State Academic Symphony Orchestra of the USSR, Yuri Temirkanov | B♭ Major | 4 | 6B | 149 BPM | ||
Coppelia Waltz | Léo Delibes, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 89 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Sibelius: Impromptu for String Orchestra (From Impromptu, Op. 5) | Jean Sibelius, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | A Major | 4 | 11B | 98 BPM | ||
К Элизе | Бетховен Людвиг ван, Г. Гинзбург | A Minor | 0 | 8A | 117 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM |
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