Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor - Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine Information

Acousticness: 11%
Danceability: 63%
Energy: 32%
Instrumentalness: 0%
Liveness: 35%
Loudness: 75%
Speechiness: 96%
Valence: 26%
Popularity: 7%
Loudness: -14.815 dB

Summary

Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine's 'Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor' came out on January 1, 1991. With Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 7 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor BPM

We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor by Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.

Die Schöpfung Hob. XXI:2 / Erster Teil: 7. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kinderszenen, Op.15: 10. Fast zu ernst	Robert Schumann, Martha Argerich	A♭ Minor	0	1A	67 BPM
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller	D Major	3	10B	85 BPM
Robin Adair	Haydn Trio Eisenstadt, Franz Joseph Haydn, Lorna Anderson, Jamie MacDougall	C Major	1	8B	99 BPM
Sinfonia In B Flat Major: III. Allegro	Francois-Joseph Gossec, Northern Chamber Orchestra	B♭ Major	1	6B	127 BPM
Czech Suite in D Major, Op. 39, B. 93: III. Sousedská. Allegro giusto	Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach	B♭ Major	1	6B	77 BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	G Minor	3	6A	59 BPM
Keyboard Sonata in C Major, Kk. 159: Allegro	Domenico Scarlatti, Ivo Pogorelich	C Major	2	8B	169 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie	Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick	B♭ Major	2	6B	99 BPM
Schubert: Symphony No. 1 in D Major, D. 82: II. Andante	Franz Schubert, Wiener Philharmoniker, Riccardo Muti	G Major	0	9B	111 BPM
Symphony No. 5 In B Flat, D.485: I. Allegro	Franz Schubert, Wiener Philharmoniker, Karl Böhm	C Major	1	8B	106 BPM

ISRC: DEF058731707
Label: L-M Records/RCA Records

Section: 0.8698098659515381

End: 0.8738489151000977