Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) - Johann Sebastian Bach, Lenneke Ruiten, Meg Bragle, Andrew Tortise, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 92%
Danceability: 50%
Energy: 34%
Instrumentalness: 59%
Liveness: 8%
Loudness: 78%
Speechiness: 3%
Valence: 65%
Popularity: 5%
Loudness: -12.921 dB

Summary

Johann Sebastian Bach, Lenneke Ruiten, Meg Bragle, Andrew Tortise, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor)" available on April 2, 2013. Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 13 out of 33 in Bach: Cantatas, Vol. 28 by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) BPM

The tempo marking of Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) by Johann Sebastian Bach, Lenneke Ruiten, Meg Bragle, Andrew Tortise, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.

Wer da gläubet und getauft wird, BWV 37: Aria: Der Glaube ist das Pfand der Liebe (Tenor) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kol Nidrei, Op. 47	Max Bruch, Jan Vogler, Helmut Branny	D Major	1	10B	136 BPM
Goldberg Variations, BWV 988: Var. 3, Canone all'unisuono	Johann Sebastian Bach, Glenn Gould	G Major	2	9B	96 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live	Ludwig van Beethoven, András Schiff	G Minor	1	6A	137 BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20	Bedřich Smetana, Jitka Čechová	B Major	0	1B	70 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs	E♭ Minor	3	2A	77 BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM
Aria de la Pastorale en ut mineur BWV 590	Johann Sebastian Bach, Alexandre Tharaud	F Minor	1	4A	123 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM

ISRC: GBHNG1300013
Label: L-M Records/RCA Records

Section: 0.6488063335418701

End: 0.6536121368408203