"Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis was released on 2000. The duration of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 28 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. The popularity of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Importuna Ragion, vani argomenti (Sansone/Dalila) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
Offenbach: La Belle Hélène, Act 1: "Amours divins !" (Hélène) | Jacques Offenbach, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Cantata spirituale "Queste pungenti spine": II. Seconda parte | Benedetto Ferrari, Oslo Circles, Marianne Beate Kielland | A Major | 1 | 11B | 84 BPM | ||
Voglio di Vita Uscir | Benedetto Ferrari, Musica Sequenza, BURAK, Diana Ramirez | E Major | 1 | 12B | 94 BPM | ||
Benedetto Ferrari: Cantata A Voce Sopra La Ciaccona: Cantata A Voce Sopra La Ciaccona | Benedetto Ferrari, Ensemble for the Seicento | G Major | 2 | 9B | 124 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Chaconne in D Major, WeissSW 2 No. 10 | Silvius Leopold Weiss, José Miguel Moreno | A Major | 1 | 11B | 143 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Moratelli: La faretra smarrita: "Lungi dai nostri cor" (Amore) | Sebastiano Moratelli, Jakub Józef Orliński, Teodoro Baù | F Minor | 1 | 4A | 133 BPM |
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