Ana Maria Iriarte, Selica Pérez Carpio, Miguel Ligero made "El Pobre Valbuena: "Polka Japonesa: Mucha Atención Que Es la Polka Japonesa"" available on December 4, 2011. The duration of El Pobre Valbuena: "Polka Japonesa: Mucha Atención Que Es la Polka Japonesa" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. El Pobre Valbuena: "Polka Japonesa: Mucha Atención Que Es la Polka Japonesa"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "La Zarzuela: El Año Pasado por Agua / El Pobre Valbuena" album is number 10 out of 13. The popularity of El Pobre Valbuena: "Polka Japonesa: Mucha Atención Que Es la Polka Japonesa" is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of El Pobre Valbuena: "Polka Japonesa: Mucha Atención Que Es la Polka Japonesa" by Ana Maria Iriarte, Selica Pérez Carpio, Miguel Ligero to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gran via: Introducción y polca de las calles | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 3 | 8B | 121 BPM | ||
Entre Sevilla y Triana: "Que graciosos sois los hombres" | Ana Maria Iriarte, Antonio Medio | D Major | 2 | 10B | 101 BPM | ||
Gallito | Banda de Musica de la Guardia Real | C Minor | 3 | 5A | 115 BPM | ||
En un velero | Grandes Habaneras | D Major | 2 | 10B | 122 BPM | ||
Ojos verdes | Miguel De Molina | B♭ Major | 4 | 6B | 145 BPM | ||
La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | F Major | 2 | 7B | 102 BPM | ||
Romance de la loba parda | Joaquín Díaz | E♭ Major | 4 | 5B | 152 BPM | ||
Amparito Roca | Banda de Musica de la Guardia Real | C Major | 2 | 8B | 118 BPM | ||
Golondrina de Madrid: "Soy Golondrina, la Madrileña" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
El Vals del Emperador | Gran Orquesta Vienesa | C Major | 3 | 8B | 175 BPM |
Section: 0.6646158695220947
End: 0.668959379196167