"Finnish Song Compositions V, Op. 52: No. 3, Oi, muistatko vielä sen virren" by Oskar Merikanto, Waltteri Torikka, Marko Hilpo had its release date on March 1, 2024. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Oskar Merikanto, Waltteri Torikka, Marko Hilpo's "Merikanto: Songs" album is number 28 out of 29. On top of that, Finland appears to be the country where this track was created. The popularity of Finnish Song Compositions V, Op. 52: No. 3, Oi, muistatko vielä sen virren is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Finnish Song Compositions V, Op. 52: No. 3, Oi, muistatko vielä sen virren by Oskar Merikanto, Waltteri Torikka, Marko Hilpo to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frühlingsglaube, D. 686 | Франц Шуберт, Franz Schubert, Даниил Трифонов, Valery Gergiev, Симфонический оркестр Мариинского театра | A♭ Major | 0 | 4B | 127 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Finnish Song Compositions V, Op. 52: No. 4, Itkevä huilu | Oskar Merikanto, Waltteri Torikka, Marko Hilpo | F Major | 1 | 7B | 166 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM |