Andrew Hewitt made "Jill Tate" available on May 3, 2011. With Jill Tate being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Submarine (Original Motion Picture Score)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. The popularity of Jill Tate is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Jill Tate by Andrew Hewitt having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Third Floor Hallway | Punch-Drunk Love | A Minor | 1 | 8A | 114 BPM | ||
Emily's Theme | Nathan Johnson | C Major | 4 | 8B | 60 BPM | ||
Water Theme No. 1 | Hanan Townshend | G Major | 2 | 9B | 69 BPM | ||
Burning | Mowg | A♭ Major | 1 | 4B | 104 BPM | ||
It was Wrong to Come Here | 조영욱과 THE SOUNDTRACKINGS | C Major | 3 | 8B | 82 BPM | ||
Introduction | Jim Williams | D Major | 0 | 10B | 75 BPM | ||
Why Are You Going to New York | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 115 BPM | ||
Bedroom | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
Baptism | Brad Oberhofer, Oberhofer | C Major | 1 | 8B | 67 BPM | ||
Daddy | Stephen Rennicks | A Major | 0 | 11B | 179 BPM |
Section: 0.42255139350891113
End: 0.42676401138305664