"Mozart: Flute Concerto No. 1 in G Major, K. 313: II. Adagio ma non troppo (Cadenza by Rampal)" by Wolfgang Amadeus Mozart, Jean-Pierre Rampal, Theodor Guschlbauer, Wiener Symphoniker was released on January 7, 2022. Since Mozart: Flute Concerto No. 1 in G Major, K. 313: II. Adagio ma non troppo (Cadenza by Rampal) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 57 in the song's album "The Flute Master". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mozart: Flute Concerto No. 1 in G Major, K. 313: II. Adagio ma non troppo (Cadenza by Rampal) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Flute Concerto No. 1 in G Major, K. 313: II. Adagio ma non troppo (Cadenza by Rampal) by Wolfgang Amadeus Mozart, Jean-Pierre Rampal, Theodor Guschlbauer, Wiener Symphoniker having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe en ut mineur, K. 427: Gratias | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Symphony No. 34 in C Major, K 338: III. Allegro vivace | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | G Major | 3 | 9B | 80 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Flute Concerto No. 1 in G Major, K. 313: II. Adagio non troppo | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 91 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |
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