Johann Jakob Froberger, Gustav Auzinger's 'Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: IV. Pt. 3' had a release date set for April 26, 2024. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Auzinger's "Hart 1627" album is number 16 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: IV. Pt. 3 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: IV. Pt. 3 by Johann Jakob Froberger, Gustav Auzinger to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dieupart: Harpsichord Suite No. 5 in G Major: I. Ouverture (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: I. Allemande | Jean-Philippe Rameau, Juho Pohjonen | A Minor | 0 | 8A | 63 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata No.6 in D Major, Op. 50: II. Allegro | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Handel: Water Music, Suite No. 1 in F Major, HWV 348: X. Allegro | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 2 | 12B | 114 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM |