"Tansman: Musique de cour d'après Robert de Visée: V. Passacaille" by Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse was released on October 2, 2020. The duration of Tansman: Musique de cour d'après Robert de Visée: V. Passacaille is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Tansman: Musique de cour d'après Robert de Visée: V. Passacaille's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Aranjuez by Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Tansman: Musique de cour d'après Robert de Visée: V. Passacaille is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tansman: Musique de cour d'après Robert de Visée: V. Passacaille by Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
Aux Confins de l'orage: II. Sylphes rouges | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | D♭ Minor | 1 | 12A | 119 BPM | ||
Escenas Poeticas, Book 1 (arr. P. Breiner for guitar and orchestra): Eva y Walter | Peter Breiner, Enrique Granados, Norbert Kraft, Razumovsky Sinfonia | C Major | 0 | 8B | 34 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Sonata: Allegro | Sophia Dussek, Judy Loman | C Minor | 1 | 5A | 126 BPM | ||
Tansman: Pièce en forme de Passacaille | Alexandre Tansman, Thibaut García | E Minor | 0 | 9A | 85 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: II. Allemande grave "Tombeau du vieux Gallot" | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 131 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM |
Section: 1.070345163345337
End: 1.0755243301391602