"The Domestic Sublime: IV. Saucer" by Katy Abbott, Chris Wallace-Crabbe, Greta Bradman, Leigh Harrold was released on March 3, 2014. The duration of The Domestic Sublime: IV. Saucer is about 3 minutes long, at 3:10. Based on our data, "The Domestic Sublime: IV. Saucer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Australia. The Domestic Sublime: IV. Saucer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Domestic Sublime: IV. Saucer by Katy Abbott, Chris Wallace-Crabbe, Greta Bradman, Leigh Harrold having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oops | SLIDE MONSTERS | E Major | 3 | 12B | 180 BPM | ||
Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken) | Grażyna Bacewicz, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
Requerdos De Girona 1. ”Locura En Cadaques” II | Christian Lindberg, Ian Bousfield, Joseph Alessi, Peter Moore | A♭ Major | 2 | 4B | 72 BPM | ||
Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM | ||
Allegro Tangabile III | Astor Piazzolla, Axiom Brass | E Minor | 4 | 9A | 135 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Harry Lime Thema | Mnozil Brass | C Major | 2 | 8B | 101 BPM | ||
And There Was Light | Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver | C Major | 0 | 8B | 82 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.5056512355804443
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